Old music for older whisky
15 Sep
Just a quick post today as I’m off on holiday tomorrow for a week and a bit and there is still some packing of stuff to be done. Today I thought I would choose a piece of music to suit a whisky I tried very recently in the great Bon Accord pub in Glasgow. It was over a week ago and I’ve been racking my brains since trying to think of something to pair it with. The whisky in question was this little joybeast:
I had seen this Glen Grant kicking about in a number of places in recent years and always been curious about it, its 75cls so presumably was bottled in the early nineties and distilled sometime in the early sixties. Already this is alluring enough but it didn’t prepare me for what I found in the glass. Given it blind I might have said Glen Grant/Mortlach/Strathisla/Macallan but more importantly I would have sworn it was some kind of pre-war distillate. I’ve never smelt anything with that combination of peat, fruit, menthol and rancio that was distilled after 1947. It had something devastatingly old-school about it. One of these whiskies you feel guilty for not drinking while in a gentleman’s cigar club, sporting a monocle and discussing the problematic upkeep of the serving staff at your manor in dorset. For a while I considered trying to be really clever and find some sort of obscure, juxtapositional indie band to pair it with, I listened to things like Mumford & Sons and fleet Foxes, then I thought maybe Radiohead or The Bees. I realised it was time to re-evaluate this angle when I was staring blankly at various online videos of Lady GaGa trying to fabricate some tenuous link between a beautiful, thrillingly retro malt whisky and a be-frocked, all prancing, all singing diva that looks like the accidental product of a meldown at the handbag factory. She’s like the Joker realised by Gucci. Anyway I decided to just go with what felt right not what seemed clever and in five minutes I came up with this.
Ragtime is a very difficult style to play, at least it is on the guitar, I couldn’t speak for the piano but I imagine it is a great deal more difficult than the utterly brilliant Winifred Atwell makes it look here. Just listening to this brings back some olfactory memories of these kind of old school whiskies. You can imagine the world in black and white with Winifred at the piano, a smoky club and a few empty bottles of Haig littering the bar. Ragtime has such an unmistakable, familiar sound to it, it manages to be somewhat timeless yet of such a distinct era in history. Who among us has not grown up with The Entertainer engraved on our subconscious from an indeterminate early age? You could probably pair these kinds of whisky well with Jazz just as easily, it makes sense, the musical freedom of Jazz, its unpredictability, its luxurious expressive qualities, they compliment the complexity in great whiskies, bringing to life their more surprising and quirky personality angles. But for me there is something in the melodic, off-beat structure of Ragtime that is more appealing, I suppose its my love of song craft. Ragtime is exactly what it says, ragged time, it can be malleable, played with and improvised within but there is still a skin, a beautiful, melody draped framework to hang these variations around. It is these compositional qualities inherent in ragtime, the basic foundations that hold everything in place, that makes it so good with whisky, the structure and balance of a great dram, its length and progression, the journey from aroma to finish and all the nuances in between. Sadly there aren’t many players of Winifred’s class, but then there aren’t that many whiskies in the same league as these old style drams, I’ve probably said this before but its worth repeating, life would be very dull if there were. Please check out more of Winifred’s music and go out of your way to try this glorious Glen Grant.






